Archived entries for events

FRICTION NYC presents: The Golden Filter, Heartsrevolution, Pink Skull | 1.30.09 @ (Le) Poisson Rouge

We’ve followed the golden fox, held the golden key, and have seen the golden light. The band that’s piqued everyone’s curiosity for the last six months is about to shed their veil of mystery. On January 30th, New York City’s nu-disco outfit, THE GOLDEN FILTER, will make their North American debut at (Le) Poisson Rouge. HEARTSREVOLUTION with their distorted, punchy electro 8-bit and fine purveyors of dirty Philly tech-house bangers, PINK SKULL, round out this modern-day disco rager. FINGER ON THE PULSE DJs drop the jams all night. Presented by FRICTION NYC and (Le) Poisson Rouge. GET HYPE!

Advanced tickets are available at the (Le) Poisson Rouge website. Doors open at 10:00 PM, flyer, mp3’s, and more below.

 
FRICTION JANUARY 30TH

 
THE GOLDEN FILTER
“New York City’s THE GOLDEN FILTER may have just put out one of the sexiest jams of the summer with ‘Solid Gold’ and no one knows a single thing about them. A revved up, glittery disco-bassline and icy synths anchor your feet to the dancefloor while airy female vocals breeze past on rays of golden light – a combination that’s enough to cool you on the most humid of days.” [FRICTION NYC]
[MP3]: “Solid Gold”

 
HEARTSREVOLUTION
“Beware; those who enter the HEARTSREVOLUTION world may never leave. Ben and Lo’s music takes hold of you with its silvery, digital clutch – cut’n’paste, overlapping beats, dream-like synths and mantra lyrics – and never lets you go.” [NME]
[MP3]: “C.Y.O.A.”

 
PINK SKULL
PINK SKULL’s first full-length released earlier this year (Zeppelin 3), plays like a time- and genre-transcending masterpiece like nothing you’ve heard — a mélange of soundscapes ranging from dancefloor killers to experimental funk to psych-rock to ultra-low-key acoustic folk.” [Prefixmag]
[MP3]: “Unicorn Harpoon”

 
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FRICTION @ Mercury Lounge w/ Violens + Telepathe + Picture Picture + Zaza | 11.20.08

GET HYPE one last time in 2008! Prior to the mad-rush of the holiday season, FRICTION is back at The Mercury Lounge for one final show in 2008, closing out three full years of shows. This lineup features Violens, Telepathe, Picture Picture, and Zaza, four local acts you’ll be hearing plenty more from in 2009.

Advanced tickets are available on The Mercury Lounge website. Doors open at 7:30pm, flyer, mp3’s, and more below.

 
FRICTION NOVEMBER 20TH

 
VIOLENS
VIOLENS clearly draws from the mid-’80s U.K. indie scene (Aztec Camera, the Pale Fountains, Prefab Sprout) but doesn’t sound derivative of anyone; the group’s evocation of that era’s internationalist style and wit comes wrapped in a cool emotionalism that also characterizes Violens’ onstage vibe. The only issue with their shows is that we can’t get them to play a song more than once.” [Time Out NY]
[MP3]: “Violent Sensation Descends”

 
TELEPATHE
TELEPATHE forge largely improvised guitar gusts, woodsy chirps, wraithlike Bjorkian harmonies, and powerfully jabbed drums into minimalist baroque.” [Village Voice]
[MP3]: “Devil’s Trident”

 
PICTURE PICTURE
PICTURE PICTURE are nestled pretty nicely in the Brooklyn nu-psych scene that’s birthed MGMT, Yeasayer, and Chairlift. ‘Liftoff’ begins with an off-tempo blues sample that’s then doused in squirming moogs, autotuned falsettos and enough jagged editing to make your skull shake. It’s heady, for sure, but it’s also strangely enjoyable, never once seeming complacent or cliché, unless to be ironically so.” [RCRD LBL]
[MP3]: “Jealous Change Of Mind”

 
ZAZA
“New York-based two-piece, ZAZA, let their echo-laden vocals wash over waves of gothy, post-punk-influenced guitars and muscular percussion for a sound that is, at once, sensual and suspenseful. Erotic thrillers would be well matched with these eerie, enticing songs, which can make crime scenes and sex scenes alike seem more mysterious.” [Rumblefish]
[MP3]: “Sooner Or Later”

 
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FRICTION NYC & FLYING V present: Crystal Antlers, Pink Skull, Mythical Beast | 10.26.08 @ The Barbary

Making their Philadelphia debut, Long Beach, CA’s CRYSTAL ANTLERS (Touch & Go) bring their combustible live show to The Barbary on October 26th. With an explosive build-up of noise and melody blended with raw vocals and twisting riffs, this quintet has mastered the art of thrash. Philly’s hypnotic, dance-floor-friendly enthusiasts, PINK SKULL (first-ever all ages show!!!), and Kansas City’s fine purveyors of dark psych, MYTHICAL BEAST round out the bill. Be sure to knock back a couple of extra Bloody Mary’s at brunch and/or an extra six-pack of Kenzinger during the game before heading over to The Barbary for this Sunday evening jawn.

This is an ALL AGES EARLY SHOW!!! with doors opening at 6:00pm. Advanced tickets available here. The Barbary is located at 951 Frankford Avenue, Philadelphia, PA 19125 (215 634-7400).

GET HYPE!

 
FRICTION & FLYING V OCTOBER 26TH

 

CRYSTAL ANTLERS
“Existing at the cross-section of so many styles, CRYSTAL ANTLERS debut EP (Touch & Go) finds the band at a more important nexus of potential and realization. In person, Crystal Antlers look like outcasts from six different bands, and at various points on this record, they sound like it, too: Merging psych, garage, lo-fi, prog, and countless other influences, the group easily maintains consistency despite a complete inability to be pinned to any specific movement or trend.” [Pitchfork, Best New Music]
[MP3]: “A Thousand Eyes”

 

PINK SKULL
PINK SKULL’s first full-length released earlier this year (Zeppelin 3), plays like a time- and genre-transcending masterpiece like nothing you’ve heard — a mélange of soundscapes ranging from dancefloor killers to experimental funk to psych-rock to ultra-low-key acoustic folk.” [Prefixmag]
[MP3]: “Unicorn Harpoon”

 

MYTHICAL BEAST
“Steeped in the darkest recesses of psych’s heart, MYTHICAL BEAST’s tracks [on their debut album, Scales] smolder with scorched earth and the black taste of doom. But there is light at the edges of Mythical Beast’s universe and though the themes are dark there’s a sad hope that looms present behind the clouds of destruction. The band has pulled itself to the forefront of modern psychedelia, and this album [recorded with Greg Weeks at Language of Stone in Philly] will more than likely serve as a jumping off point for great things to come.” [Raven Sings the Blues]
[MP3]: “Cycle/Circle”

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**FREE** CMJ Afterparty w/ Crystal Antlers, Best Fwends, & Ninjasonik | Tonight! @ Cake Shop

FRICTION NYC and FUCK YEAH FEST bring a little bit of the right coast, left coast, and in between to the Cake Shop for this CMJ Afterparty TONIGHT! Austin, Texas’ BEST FWENDS, along with Long Beach, California’s CRYSTAL ANTLERS, and Brooklyn’s very own NINJASONIK get hype for CMJ. Best Fwends gets shit moving at 1AM. No RSVP bullshit — just show up and GET HYPE! Free PBR while it lasts!

I didn’t even write any of this people, I put in something else earlier. Justin changed my shit up, another case of not being able to delegate and being controllingly anal. -Nghia

BEST FWENDS

“BEST FWENDS’ music is a big attention-deficit-disordered smash-up of punk, early Beastie Boys and unrefined 8-bit sounds. It’s a kindred sound to those of British bands like Gay Against You and Applicants: frantic, but rooted in pop and/or rock. It’s trashy, cheap, headachy noise, but noise that a lot of love has clearly been put into.”
[MP3]: “Orange Marker”

CRYSTAL ANTLERS
“Existing at the cross-section of so many styles, CRYSTAL ANTLERS debut EP (Touch & Go) finds the band at a more important nexus of potential and realization. In person, Crystal Antlers look like outcasts from six different bands, and at various points on this record, they sound like it, too: Merging psych, garage, lo-fi, prog, and countless other influences, the group easily maintains consistency despite a complete inability to be pinned to any specific movement or trend.” [Pitchfork, Best New Music]
[MP3]: “A Thousand Eyes”

NINJASONIK
“Looking for a good time? You might want to call NINJASONIK. These Brooklyn art-hop pranksters combine spiky beats with rhymes about grabbing asses and the skinny jeans they wear…Mostly, though, people have been talking about these foul mouthed Ninjas for their debauchery fueled live shows, which has seen plenty of crowd diving and drunken punk rock antics…Whoa! Don’t say we didn’t warn you.” [Brooklyn Radio]
[MP3]: “Tight Pants”

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10.19.08 FRICTION: IN PICTURES

THE PAINS OF BEING PURE AT HEART

WOMEN

THE BEETS

KATIE STELMANIS

More pictures from Sunday night’s FRICTION show with The Pains of Being Pure at Heart, Women, The Beets, and Katie Stelmanis on Flickr. All images © 2008 Nghia Nguyen

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10.17.08 FRICTION: IN PICTURES

JAPANTHER

NINJASONIK

KILLER DREAMER

SS PYRAMID SNAKE

More pictures from Friday night’s festive FRICTION show with Japanther, Ninjasonik, Killer Dreamer, and S.S. Pyramid Snake on Flickr. All images © 2008 Patrick Parault

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FRICTION @ Cake Shop w/ The Pains of Being Pure at Heart + Women + The Beets + Katie Stelmanis | 10.19.08

GET HYPE! With our second show of the weekend, on the eve(-ish) of CMJ, FRICTION invades Cake Shop with a lineup designed to make you stay put. Save those feet from all of the pavement pounding they’re about to do a few days later and get a jump on some of the most anticipated bands featured during this year’s CMJ clusterfuck festival. New York City’s blissful noise-pop darlings, The Pains of Being Pure at Heart, along with recent Jagjaguwar signees Women (Alberta, CA), and fine purveyors of 60s garage straight-outta Queens, The Beets are featured on this bill. Toronto’s Katie Stelmanis and her aresenal of piano and MIDI noise percolations and classically trained vocals to boot, opens the show.

Tickets are just $8 and available the night of the show at Cake Shop. Doors @ 7:30pm

 
FRICTION OCTOBER 19TH

 

THE PAINS OF BEING PURE AT HEART
THE PAINS OF BEING PURE AT HEART “mix sugary boy/girl vocals, Jesus & Mary Chain’s rain clouds and Darklands drum machine minus the face-melting noise, sneaker-gazing a la Black Tambourine (or, hey hey, rifle through the rest of the Slumberland back catalog to namedrop something with a bit more jangle) and punky Comet Gain(s) into addictive pop gold that locates a place beyond the band’s well-chosen influences.” [Stereogum]
[MP3]: “Come Saturday”

 

WOMEN
WOMEN “straddle the 1960s divide between the Warhol crowd’s speed-addled New York cynicism and the echoes of psychedelic San Francisco that bubbled up across the pond in the fey, catchy pop of UK groups like the Zombies.” [Pitchfork]
[MP3]: “Black Rice”

 

THE BEETS
“I’d stay for just one song, but once they began playing their classic 60s garage rock I was gripped. Twin guitars beamed rhythmically forward, punctuated by strokes of brush snare and flicking around vocals that seemed perfectly, timelessly at ease in the music. This is a band that seemed to have appeared out of the ground (of Queens, apparently) fully formed without a formative period. Predictions are dangerous so I’ll try to sidestep making one now, but wherever THE BEETS may go from here, I have a feeling it’ll be worth watching.” [Impose]
[MP3]: “Happy But On My Way”

 

KATIE STELMANIS
“The drama of Kate Bush and Toyah Wilcox mixed with the
sturm and drang of Diamanda Galas and the pop bubbles of Lena Lovich or Ann Steel shouldn’t make any sense whatsoever but in the world of 23-year-old Torontonian KATIE STELMANIS it comes together. Possessed of a classically trained voice that stuns at 10 paces, Stelmanis’ arsenal is simple—piano and midi noise percolations shape simple songs that subtly grow into powerful, cathartic moments.”
[MP3]: “In My Favour”

 
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